Quarterly Review of Film and Video 好投吗-刊鹿论文编译

The Criterion Treatment

Abstract:

It’s a mark of distinction for a movie to receive what’s sometimes called the Criterion treatment: a carefully managed video release comprising a technically solid digital transfer and a package of supplements that may include a full-length audio commentary; video and/or audio interviews with the director and others who participated in the production; a video essay or two analyzing cinematic qualities of the featured attraction; ancillary materials such as deleted scenes and theatrical trailers; and liner notes by a critic or scholar with expertise in the subject at hand. Founded in 1984, the Criterion Collection has since branched out with secondary ventures such as Eclipse, a no-frills line specializing in overlooked and undervalued films deemed worthy of renewed attention, and FilmStruck, a streaming service that bit the dust after two short years of operation and is now being superseded by The Criterion Channel and a new WarnerMedia streaming platform. Not every Criterion release has been warmly welcomed—cinephiles have hooted at the Michael Bay items—but thoughtful curating is the company’s chief stock in trade. All of the above is well known to film enthusiasts, but from time to time I like to pause and salute Criterion for so ably serving the cause of contemporary film culture. (Full disclosure: I have written many program essays for Criterion releases and appeared in an extra or two over the years.) Three recent releases nicely illustrate the variety of the company’s efforts. One is Terrence Malick’s remarkable drama The Tree of Life, a philosophically ambitious epic that reached the screen in 2011, followed by an extended version that added about 40minutes of additional footage to the theatrical cut. Criterion’s edition includes both iterations—for me, the longer cut extends the film without either improving or weakening it—along with a sizable package of mostly worthwhile extras, including analyses by film critic Matt Zoller Seitz, music critic Alex Ross, and sundry documentarians. Reviewing the theatrical version of The Tree of Life in 2011, I wrote that Malick’s evident goal is “to evoke the shining of the world with reverence and

Author Listing： David Sterritt

Volume： 36

Pages： 344 - 347

DOI： 10.1080/10509208.2019.1608105

Language： English

Journal： Quarterly Review of Film and Video

Quarterly Review of Film and Video

影响因子：0.0

是否综述期刊：否

是否OA：否

是否预警：不在预警名单内

发行时间：-

ISSN：1050-9208

发刊频率：-

收录数据库：Scopus收录

出版国家/地区：-

出版社：Taylor & Francis

期刊介绍

年发文量	-
国人发稿量	-
国人发文占比	0%
自引率	0.0%
平均录取率	-
平均审稿周期	-
版面费	-
偏重研究方向	Arts and Humanities-Visual Arts and Performing Arts
期刊官网	https://www.tandfonline.com/toc/gqrf20/current
投稿链接	-

质量指标占比

研究类文章占比	OA被引用占比	撤稿占比	出版后修正文章占比
0.00%	0.00%	-	-

预警情况

时间	预警情况
2025年03月发布的2025版	不在预警名单中
2024年02月发布的2024版	不在预警名单中
2023年01月发布的2023版	不在预警名单中
2021年12月发布的2021版	不在预警名单中
2020年12月发布的2020版	不在预警名单中

JCR分区 WOS分区等级：Q0区

版本	按学科	分区
WOS期刊SCI分区（2021-2022年最新版）

中科院分区

版本	大类学科	小类学科	Top期刊	综述期刊
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